The North In Russian Romantic Literature.(Studies in Slavic Literature and Poetics 26)

Author: Otto Boele
Edition:
Binding: Paperback
ISBN: 9051839944

The North In Russian Romantic Literature.(Studies in Slavic Literature and Poetics 26) (Studies in Slavic Literature & Poetics)

This book explores the North in Russian romantic literature as a symbol of national particularity. Download The North In Russian Romantic Literature.(Studies in Slavic Literature and Poetics 26) (Studies in Slavic Literature & Poetics) from rapidshare, mediafire, 4shared. It largely ignores the vogue of Ossian, being primarily concerned with the significance of the North for Russia's national self-image. The author demonstrates how, starting with Lomonosov, the North initially functions as a symbol of Russia's 'new' European identity. Gradually it acquires a different ideological charge, giving voice to growing resentment over the inroads of western culture. By the turn of the century, the North no longer denotes Russia's supposed Europeanness, but its 'unique national' spirit, believed to have been polluted by the slavish imitation of the West. By this time, the theme of winter was discovered as an appropriate Search and find a lot of education books in many category availabe for free download.

The North In Russian Romantic Literature.(Studies in Slavic Literature and Poetics 26) Download

The North In Russian Romantic Literature.(Studies in Slavic Literature and Poetics 26) education books for free. It largely ignores the vogue of Ossian, being primarily concerned with the significance of the North for Russia's national self-image. The author demonstrates how, starting with Lomonosov, the North initially functions as a symbol of Russia's 'new' European identity. Gradually it acquires a different ideological charge, giving voice to growing resentment over the inroads of western culture. By the turn of the century, the North no longer denotes Russia's supposed Europeanness, but its 'unique national' spirit, believed to have been polluted by the slavish imitation of the West t largely ignores the vogue of Ossian, being primarily concerned with the significance of the North for Russia's national self-image. The author demonstrates how, starting with Lomonosov, the North initially functions as a symbol of Russia's 'new' European identity. Gradually it acquires a different ideological charge, giving voice to growing resentment over the inroads of western culture. By the turn of the century, the North no longer denotes Russia's supposed Europeanness, but its 'unique national' spirit, believed to have been polluted by the slavish imitation of the West. By this time, the theme of winter was discovered as an appropriate

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